From the editors of Tin House Magazine:
". . . a really good piece of writing -- a well-organized, coherent piece with depth, with sentences that show a good understanding of the power of language yet are tightly woven, with no flowery extras -- has a great chance of getting in the magazine."
And later in the article,
"For such a small insect, cicadas sure show up a lot in poetry and fiction. It sounds silly to take issue with it, but the point is that it smacks of device, which in turn interrupts the dream."
So there you have it -- how to, and how to not, get published in Tin House Magazine.
". . . a really good piece of writing -- a well-organized, coherent piece with depth, with sentences that show a good understanding of the power of language yet are tightly woven, with no flowery extras -- has a great chance of getting in the magazine."
And later in the article,
"For such a small insect, cicadas sure show up a lot in poetry and fiction. It sounds silly to take issue with it, but the point is that it smacks of device, which in turn interrupts the dream."
So there you have it -- how to, and how to not, get published in Tin House Magazine.
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